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music theory, rhythm cognition, and music information retrieval, the project will develop a novel, theoretical-analytical framework for the categorization of multi-part rhythmic patterns and their
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. Building on recent work in music theory, rhythm cognition, and music information retrieval, the project will develop a novel, theoretical-analytical framework for the categorization of multi-part rhythmic
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well as close cooperation with industry and the government. The centre consists of PhD candidates, young academics and senior researchers working on economic theory, applied econometrics, finance, optimisation
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of codes and algorithms. We will focus on devising computational solutions that can immediately be of use in other applications contexts as well. The candidate’s work will entail the development and
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The application must include Application letter. Please state your motivation and research interests. A tentative project proposal (5-10 pages). The proposal must include the topic, relevant theory and methods and
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. Building on recent work in music theory, rhythm cognition, and music information retrieval, the project will develop a novel, theoretical-analytical framework for the categorization of multi-part rhythmic
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to integrate large and complex preference datasets with information at individual level, with specific attention to open and reproducible research, e.g., in the development of codes and algorithms. We will focus
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their gesturing or vocalization is manipulated. Tasks will include contributing to project theory and methods development on multimodal communication in song performance; using experimental methods that involve
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qualifications: PhD in philosophy or in a relevant area of social science, such as political science, political theory, political ecology, and environmental economics. (The applicant should demonstrate how
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research project Expertise in machine learning Additional expertise in one or more of the following: digital signal processing, statistics, multimodal processing, FAIR data management, music theory